publication venue for

• Review of Organized Time: Rhythm, Tonality, and Form by Jason Yust 2020
• SMT's Interest Groups: A Synopsis 2018
• Performative Analysis: Reimagining Music Theory for Performance 2017
• Analysis and Performance, or wissen, konnen, kennen 2016
• Analysis and Performance, or wissen, können, kennen 2016
• Webs and Snares: Multiple References in Babbitt's "Homily" and "Beaten Paths" 2011
• Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 2010
• The Performer's Voice: Performance and Analysis in Ravel's "Concerto pour la main gauche" 2005
• Response to Janet Schmalfeldt's Response 2005
• Virtuosity in Babbitt's "Lonely Flute" 2005