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Waters, Keith John

Professor

Positions

Research Areas research areas

Research

research overview

  • Keith Waters's research focuses on the analysis of jazz, particularly jazz of the 1960s. He has written the 2019 book _Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock, and Chick Corea_ (Oxford University Press), the 2011 book _The Studio Recordings of the Miles Davis Quintet 1965-68_ (Oxford University Press), and is the co-author of _Jazz: The First Hundred Years_, now in its 3rd edition. He has articles published in Music Theory Spectrum, Journal of Music Theory, Music Theory Online, Annual Review of Jazz Studies, and others. He has also written on early 20th-century French music, including the book _Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger_. As a jazz pianist, he has performed throughout the United States, Europe, and in Russia, and has appeared in concert with jazz artists Eddie Harris, Bobby Hutcherson, James Moody, Sheila Jordon, Chris Connor, and others.

keywords

  • analysis of jazz, rhythm and meter, early 20th-century music

Publications

selected publications

Teaching

courses taught

  • MUEL 1081 - Basic Music Theory
    Primary Instructor - Fall 2020 / Spring 2021 / Fall 2021 / Fall 2022 / Fall 2023 / Spring 2024 / Fall 2024
    Introduction to music notation, meter and rhythm, scales, intervals, triads, seventh chords, fundamentals of harmonic progression, voice leading, aural skills and composition. For nonmusic majors who have little or no previous background in the subject.
  • MUEL 3642 - History of Jazz
    Primary Instructor - Summer 2018 / Summer 2019 / Summer 2020 / Summer 2021 / Summer 2022 / Summer 2023 / Summer 2024
    Surveys the distinctly American art form of jazz music from its origins to the present, including the various traditions, practices, historical events and people most important to its evolution. Offered fall and spring.
  • MUSC 1111 - Semester 2 Theory
    Secondary Instructor - Spring 2021 / Spring 2022 / Spring 2023
    Continuation of MUSC 1101. Explores principles of harmony, voice leading and form. Continues emphasis on both model composition and analysis. Introduces chromatic elements (such as applied dominants and modulation), harmonic syntax and structural analysis of excerpts from music literature. Offered spring only.
  • MUSC 1131 - Aural Skills Lab, Semester 2
    Secondary Instructor - Spring 2021 / Spring 2023
    Continuation of MUSC 1121. Focuses on sight singing, rhythm and dictation of diatonic melodies; adds chromatic elements, more complex rhythms and two-part dictation. Includes harmonic dictation using vocabulary from MUSC 1111. Includes individual and group improvisation within harmonic contexts. Offered spring only.
  • MUSC 3091 - Jazz Theory and Aural Foundations 2
    Primary Instructor - Spring 2018
    Presents the grammar and syntax of jazz and is the second course of the sequence. Units of study include elements of form, harmonic substitution, reharmonization, non-standard forms and harmonic progressions. Post-tonal concepts as they relate to jazz are introduced as well as foundational studies in jazz rhythm. Aural studies of all theoretical material is integrated throughout the semester.
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